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John Mulder
The confluence of the tangible/physical and the spiritual is where Art comes from. The discovery of self and the ability to express this in a manner that reflects those most inner thoughts and dialogue for others to see what you see through your eyes. It may be presumptuous of me to assume that the viewer wants to see what I see and I therefore owe it to those who would take the time to view my art to portray the reason for choosing specific subject matter in the best possible way that I can.
 
 
I prefer working in oil. The feel and texture of this medium combined with its timeless qualities is especially rewarding for me.
I am a self taught artist that owes much to great South African artists such as Lou Audie, Bertie Lewington, Richard Rennie and other kindred spirits who took the time to share their cumulative wisdom and insight into this wonderful world of representational art.
The Southern African landscape is a constant source of inspiration with its ever changing seasons and topographies. As a native of the Northern Cape and Karoo I am drawn to the stillness and mood that these vast expanses instil in the minds of men should they care to tarry a while and look within. I attempt through the use of light and shadow and the harmonies encountered in nature, to capture this very important element of painting when choosing subject matter.
Working from life ("alla prima or au premier coup - the art of direct painting") is for me the ultimate in representational art because it is about real experiences that demand special skills. I see this as an opportunity to listen and to observe that which nature tells us and capture this as the focal element in my rendition of my subject. It is extremely important for me to have a reason for painting a subject, and I find that invariably I can only accomplish this by experiencing first hand that which I want to capture on canvas.
I find more and more that the dictates of palette knife and the mood of the moment will determine the outcome of and resultant look and feel of a painting. If this is a shift towards Impressionism - so be it. I attempt to stay with the underlying reason that inspired me to paint something or someone rather than the detail that may surround it at the time. Life itself can often be like this - so easy to become bogged down by the clutter of our surrounds rather than remaining focused on important and meaningful things or events.
 
Thank you to those galleries and individuals who have supported me over the years. Your recognition and encouragement is immensely important to me and serves to affirm that I have succeeded as an artist to add value (in some way), to the lives of others.
 
"We act as though comfort and luxury were the chief requirements of life when all that we need to make us really happy is something to be enthusiastic about."
~ Charles Kingsley